This talk connects work on media paratexts to studies that consider how promotional and advertising materials contribute to the social construction of new media technology and consumption practice. Jonathan Gray suggests that paratexts such as trailers, intros, promos, and bonus materials help audiences to anticipate, interpret and engage with movies and television shows. However, media paratexts also help frame the meaning of the platforms that distribute, aggregate and curate film and TV content.
Using the case of on-demand television, this talk considers the promotional imagination of BBC iPlayer in a period when the Corporation was striving to communicate its digital identity and broaden iPlayer within mainstream use. Drawing on interviews with industry practitioners, and examples of key short-form promos, the talk analyses transitions in the BBC’s representation of iPlayer in the 2010s, captured in the move from 'pink portals' to 'mainstream Mums'. If, as Gray suggests, paratexts 'attempt to create interpretive communities and hermeneutic recipes for daily living in a media-saturated world', I consider how promos for iPlayer have established themselves as a means of creating 'hermeneutic recipes' for living with the new experiences of film and television in the digital era, specifically as delivered by the BBC.